Henry Cavill, Amy Adams and Ben Affleck were on Graham Norton last Friday, here are screen captures and the video. Thanks AmyAdamsFan.com for the Captures!
March 27 Interviews
Henry Cavill’s Superman ushered in the DC Extended Universe back in 2013 with Man of Steel, and he’s returning to the big screen later this month in Batman v Superman: Dawn of Justice. Following that, his next scheduled appearance is in Justice League: Part One, but as we know, Wonder Woman is arriving five months before the DC heroes officially join forces for the first time. There’s been no word on whether Superman might cameo in the Amazon’s solo movie, but it can’t be discounted entirely.
While speaking with the Brazilian magazine Superinteressante, Cavill reaffirmed that he won’t appear in Suicide Squad, but he wasn’t so sure about Wonder Woman. Here’s the rough translation of his comment:
In ‘Wonder Woman,’ I haven’t heard anything yet, but watch that space. And in anything else, I don’t know just yet if anything else gets shot between.
Wonder Woman has been shooting in London for almost four months, and still has a fair amount left to finish. Since most of the movie takes place in 1918 during World War I, the only way Superman could appear is in one of the present day “bookends” that were revealed yesterday during EW’s massive DC movies coverage. Since these scenes take place after Batman v Superman: Dawn of Justice, it wouldn’t be unusual seeing the two interacting, and that could be another way to set up Justice League: Part One that fall. Plus, let’s be honest: a Superman cameo in one of his fellow Justice Leaguers’ movies makes way more sense than appearing in the supervillain-filled Suicide Squad.
However, beyond just how Superman would fit into the Wonder Woman story, it’s also a question of whether an appearance would fit into Cavill’s schedule. The actor’s next project, the war drama Sand Castle, also began filming in November, but even if he’s finished his work on that, he’s now making the press rounds for Batman v Superman: Dawn of Justice. So Cavill may not have time to head out to London or the next two stops on the Wonder Woman shooting schedule, France and Italy, in time. Since Warner Bros would like would to keep a Superman cameo a secret for as long as possible, it may be a while until we get confirmation one way or the other.
Superman isn’t the only hero that’s been speculated to appear in Wonder Woman. Last November, it was rumored that Batman would show up, specifically by watching her save civilians from Ares and then chatting with her afterwards. Since the majority of Wonder Woman takes place nearly 100 years ago, moviegoers won’t have to worry about Diana of Themyscira being overshadowed, but much like how the Marvel movies have included occasional hero cameos in another hero’s movie (Bruce Banner in Iron Man 3, as an example) it wouldn’t be weird for DC to take a similar approach.
Wonder Woman hits theaters on June 23, 2017.
When asked about your weaknesses in a job interview, the old joke is that you should always answer: “I care too much …”
But that’s actually the truth about Clark Kent’s heroic alter ego in the new DC cinematic universe. As Batman v Superman: Dawn of Justice heads to theaters March 25, Entertainment Weekly has been talking with the filmmakers and stars about where things will go after 2013’s Man of Steel.
Henry Cavill literally describes his Superman as the new guy on the job, one who knows he messed up while trying to save the world the last time around. It sounds like a fair amount of regret hangs over the head of this superhero, and now he has invoked the ire of this bizarre man in a bat costume from neighboring Gotham City.
Here are the actor’s thoughts on what Kal-El is facing in Dawn of Justice, and how he’s learning on the job…
Entertainment Weekly: This film has been in the works for three years, so what are your earliest memories of getting back into the cape and picking up the story after Man of Steel?
Henry Cavill: My first memory of getting back into it was delving back into the comics and finding bits of personality. Obviously, I had to wait for the script to come back so I knew what I was allowed to implement, and then it was just about trying to get as much of Superman’s character into the script as possible – as far as how I saw it – and of course everyone has their different viewpoints on the character. My lasting memory, was going back to the comic books and really exploring the psychology of the man with the hope that I could apply it to the script.
Kryptonite has become a synonym in the English language for a weak spot, an Achilles heel, but beyond that these movies have taken the fact that Superman can’t save everyone and made that a weakness. I think that’s a very human weakness to have.
For me, when it came on to Superman’s weakness, it’s inside him. It’s the fact that he does really love humans. He loves what they bring to the world, he loves this planet and who he lives alongside, and he wants to really, really help them. We could go deep into the psychology of what that means and what that makes ones intentions on a daily basis when you’re a super-powered alien.
Not only is he bulletproof, but he can withstand a lot of cruel treatment from us.
Essentially it’s that. That’s his weakness, that he doesn’t want to hurt anyone. He doesn’t want to scare anyone, and in that you can take advantage of him. It makes it very easy to take advantage of him. … This is someone who is a complete amateur, and he’s facing up against someone who is very well versed in the arts of war.
That’s the way religions of the world talk about God, isn’t it? That God loves us even if we’re horrible, even if we do the worst things imaginable. It’s interesting seeing that element in Superman.
I mean, there’s always been some parallels drawn, theological parallels drawn between Superman and various religions. I do my best to draw parallels just between mythological heroes if I can, and yeah, because religion’s a dangerous ground. That’s a minefield.
After the destruction we saw in Man of Steel, is Superman suffering from a kind of survivor’s guilt, since he saved the world, but destroyed a city?
I wouldn’t necessarily say it’s a survivor’s guilt. I mean, that’s a different kind of thing because he’s above the threat. I think the most difficult thing for him at this stage of the story is that he has just come to terms with the fact that he is really, really quite powerful and he hasn’t found any major vulnerabilities yet, and despite this, despite the enormous power that he has, he still cannot do everything, and he really struggles with that. It’s not just a quick, “Okay, I get it. I can’t save everyone.” That takes a long time to work out.
There were complaints from some fans that it was out-of-character for Superman to allow the Man of Steel fight to cause such destruction and loss of life. In Batman v Superman, that anger is part of the story – it’s why Bruce Wayne hates Superman. Did it surprise you that they incorporated that?
I think that may have been part of the master plan all along. When it comes to the major story stuff I can’t really speak on that, because that was above my paygrade. What I can speak of is the idea of Superman, especially when the finger is pointed at collateral damage in the first movie. I mean, we’re talking about a greenhorn.
Do you think he’d do it differently now?
Let’s say now, [if] Superman has the same threat again, that’s a different story. He would, of course, bring collateral damage to an absolute minimum, but in that, he’s just trying to survive because if he doesn’t, the planet’s gone. That’s the excuse I make for Superman. He’s fresh and he’s new, and it’s very easy to point out the faults in someone after they’ve done it, but put yourself in their shoes and see what happens.
In the past, some have complained Superman is too perfect. But give them the flawed hero, and there are complaints that Superman should be perfect. It seems like your Superman deals with the same problem. He seems to want the world to cut him a little bit of slack.
I mean, it’s going to be impossible to please everyone anyway, but I think there is huge potential to provide Superman with the weakness that people crave in the future and expand upon story stuff without offending the lore of Superman. It’s a fine line to tread because we’re in a different age now, but I think we can tell a fascinating, interesting story where Superman has his weaknesses and is also doing the thing which we expect Superman to do. He’s being the ideal. It shouldn’t be easy to tell the story of Superman.
Shouldn’t this Superman be a little angry? He saved the world, but that doesn’t seem to be enough for everyone.
The thing about Superman is that although he is physically infallible, psychologically he’s very much vulnerable to the same things that make us vulnerable. When you’re doing your best, your utmost, and you still can’t save everyone, and then people point their finger at you and call you the bad guy, I mean, that would be enormously frustrating. I know the human reaction would be, “Hold on a second, F-you man,” and his reaction is the first half of that: not quite the ‘F-you.’ It’s the hurt.”
Are there any offbeat Superman stories from the comics that you’d especially love to see in film? I always loved Mark Millar’s Red Son, where Superman lands in the Soviet Union instead of Kansas…
I think the offbeat stories are great, and I read Red Son in particular before I did Man of Steel, to get an idea of the baseline of the character because despite the fact that it’s offbeat and he’s grown up in a completely different environment, the character is still, at it’s very core, the same thing, and I love that. I think what’s important now is to tell a story which is dedicated to sharing the same character in the comic books in the cinematic universe, and then after that’s been established, then we can start exploring some more of the offbeat stuff.
Now, your Batman, Ben Affleck, played early Superman actor George Reeves in a movie called Hollywoodland a few years ago. So, for you, as an actor who is now playing Superman, I wondered if you had any interesting conversations with him about him playing a guy who once played the same iconic role.
I didn’t actually. Maybe I should have a good long chitchat with him about that.
What do Batman and Superman talk about when you’re both in costume between takes?
Like, “Do you need to pee?” “Yeah, I need to pee.” “Should we go now or wait?” “How much time do you think we’ll have between shots?” [Laughs] That’s pretty much it. The process.
Henry Cavill and Armie Hammer have been talking about their new movie, the Guy Ritchie-directed spy thriller, The Man From UNCLE.
Henry, who plays America CIA agent Napoleon Solo, talked about how he struggled at first with an American accent.
“I definitely struggled at the beginning because we hadn’t found the accent by the time we started shooting. When we were shooting Guy would come in and say ‘No, that sounds wrong,’ or ‘this sounds wrong’ or ‘try and say the word this way’ and because there’s no uniform structure to it, it became very difficult to perform and you become very conscious of speaking as opposed to acting and feeling. Eventually we found it about a quarter of the way through the movie because we found a way of speaking that was consistent.
The actor also joked about being approached the play Bond following Daniel Craig’s predicted exit: “It’s top secret so I can’t say anything.”
Armie also seemed keen: “Totally, I’m in. I’m not supposed to talk about it yet but I’ve had a conversation with someone.”
The movie, which GLAMOUR very much enjoyed, sets up for a sequel at the finale so we asked the boys if this was happening.
“We haven’t heard anything. We’d love to do it,” said Henry.
Henry Cavill is featured on the new issue of Shortlist Mode and it has a brand new fashionable photoshoot, which I uploaded in the gallery, the article is below:
MODE cover star Henry Cavill talks to Andrew Dickens about the joy of polo necks, the fun of guns and the wardrobe issues of being Superman
For a man who’s used to getting changed in a phone box, swapping clothes in the offices of a private air charter company must seem positively luxurious. Mind you, Henry Cavill needs the space.
Only weeks after he wrapped up filming the latest Superman film, with shoulders you could drive across and biceps like prize hams, he’s still sporting a superhero physique that can make us mortals feel simultaneously fat and skinny.
He’s also just wrapped MODE’s jet-setting cover shoot. His look, as he swaggers around an airfield just outside Exeter (giving rise to “Is it bird? Is it a plane? Yes, it’s a plane” gags), has a dash of Sixties styling, which is a nod to the next Cavill film to hit cinemas: Guy Ritchie’s take on the classic TV show The Man From UNCLE. Cavill, it transpires, loves clothes, loves dressing up, but thanks to those muscles, his passion has problems.
“It’s bloody expensive,” he says, now dressed down in a checked shirt and jeans, and digesting a sausage butty. “I’m buying new clothes every year. I’m bigger than I was in the first Superman film (Man Of Steel), so I don’t fit the same clothes I did then. And when I was doing The Man From UNCLE, I was smaller, so it’s a constant shift in body size and shape. It’s fun, but you’ve got to have a big closet, so you can leave stuff in there and go, ‘Oh, back to that size again – I can wear that sweater’.
“But I never throw stuff away because I’ve changed size. Things I’ve loved, I’ve worn so much I’ve had to get rid. I’ll love something so much, I still see it the way it initially was, and then a friend will say, ‘Why do you dress like a homeless person? Look at your f*cking clothes, mate.’ And then you realise that the T-shirt you adore has four holes in it. And that pair of jeans no longer has a fashionable rip, it’s just your knee hanging out.”
Cavill’s character in The Man From UNCLE is Napoleon Solo. Or, ‘the one played by Robert Vaughn’ for those of us who spent childhood Saturday teatimes being entertained by TV repeats – always featuring men in roll necks – from this strange, colourful decade our parents banged on about. Solo, a postwar art thief-turned-Cold War agent, is the dapper playboy – who Cavill describes as “an arsehole with a heart” – working alongside Soviet spying machine Illya Kuryakin (Armie Hammer in the film, David McCallum when it was on TV). It’s Solo’s look that inspired the shoot. Cavill likes this.
“I really do,” he says. “I was looking at some photos of myself in The Man From UNCLE, and I thought, ‘Those are really great.’ I love wearing classic suits. And the great thing about the Sixties is that they had a little bit of flair. You can go big flair, or just a little bit, and I like a little bit. I’m more of a classic guy; I’m not outspoken, so it’s nice to wear something that looks so sharp and has a bit of colour.”
And your feelings on polo necks?
“Polo necks are great! There’s this attitude towards polo necks, where if you wear one, then all of a sudden you’re a dickhead. And it’s not fair, because polo necks look really good. It’s just a matter of people opening their minds to it. We can wear all sorts of stuff these days, so why not a polo neck?”
Why not, indeed? And it wasn’t just the polo necks Cavill enjoyed about the film; he claims Ritchie is “the best person I’ve ever worked with. He makes great movies, but doesn’t sacrifice any fun or enjoyment in the making – if I could do every movie in the future with him, I would happily do it.” This, of course, won’t be the case. For example, Ritchie isn’t directing Stratton – the film for which Cavill’s currently preparing. Based on the John Stratton novels by ex-SBS commando Duncan Falconer, it’s something of a passion project for Cavill, whose brother Nik is in the Royal Marines, and he’s co-producing the film with another brother, Charlie.
“I’ve always been a huge supporter of the Royal Marines, and therefore the SBS is largely – not entirely – drawn from the Marines,” he says. “It’s my chance to be the Marine I never got to be, and draw some attention to them, hopefully raise some money. I’m an ambassador for the Royal Marines trust fund. And I like the guns and stuff. I do. It’s fun.”
Nor did Ritchie get his hands on the biggest film of Cavill’s career to date, the currently titled Batman vs Superman: Dawn Of Justice. Next summer’s clashing of the capes – and cause of Cavill’s enormous wardrobe requirements – sees his Man Of Steel take on Ben Affleck’s Dark Knight. A major salvo from DC in the war with Marvel for comicfilmiverse supremacy, it’s a subject of anticipation and hope. What can he tell us about it?
“I can’t tell you anything.”
Not even from a fashion perspective? Surely there was some costume envy. With all that black, Batman has a much more chic look. And external underpants have never caught on.
“I’m incredibly loyal to my character,” says Cavill, with genuine conviction. “I love him. I’m protective of him. Superman’s the dude. He’s an absolute ledge. I’d never say, ‘I’d prefer to be that superhero.’ I’m Superman.”
The Man From UNCLE is at cinemas nationwide from 14 August