A couple more portraits from Comic-Con with the cast of The Man from U.N.C.L.E., thanks Nicole:
- Magazine Outtakes > Photoshoots > 2015 – Comic-Con
July 15 Photoshoots
The Hollywood Reporter has released an exclusive photo with the actors and directors of WB/DC Comics:
Good and evil collided at The Hollywood Reporter’s exclusive Comic-Con photo shoot with the directors and stars of Warner Bros.’ upcoming DC Comics adaptations.
Superheroes and supervillains collided — quite amicably, we must say — at The Hollywood Reporter’s top-secret Comic-Con photo shoot.
After stunning the Hall H crowd on Saturday with new footage, 17 actors, as well as directors Zack Snyder and David Ayer, from Warner Bros.’ Batman v. Superman: Dawn of Justice and Suicide Squad — together comprising the long-awaited first phase of Warners’ DC Cinematic Universe — zoomed off for what would be their first photo together.
While both casts appeared during Warner Bros.’ panel, they didn’t take the stage at the same time. So THR’s photo shoot was not only the first time that the two casts got together, but for many it was their first time meeting one another entirely.
Jai Courtney mightily shook hands with Jesse Eisenberg while Henry Cavill chatted with Will Smith, who introduced him to Jay Hernandez. Cara Delevingne and Gal Gadot posed for a selfie together.
Ayer and his Suicide Squad cast — Smith, Margot Robbie, Courtney, Delevingne, Joel Kinnaman, Viola Davis, Adewale Akinnuoye-Agbaje, Hernandez, Adam Beach and Karen Fukuhara — arrived backstage first. They rushed to the craft services table, scarfing down sandwiches and snacks.
The group was on a whirlwind trip, to say the least. Ayer had been working on the film in Toronto until 1 a.m. Friday night, then woke up the next morning to fly with his cast to San Diego. They were in San Diego for a little under three hours before having to rush back out to the airport at 1 p.m. to head back to Toronto. Ayer, who was trying to convince his handlers to stop to get burritos before he headed back to Canada, needed to return to shooting second unit the next day.
Onstage, Ayer touted his villain-focused movie: “Who’s got the best bad guys out there? DC Comics,” he said. “I’m not trying to start no East Coast-West Coast feud with Marvel Comics, but someone has got to say the truth.”
The footage he showed was surprisingly dark in tone, but at the shoot Ayer told THR of the film, “The real shock is how hilarious it’s going to be.”
Smith, who was the only castmember to speak (if only a few sentences) onstage during the Suicide Squad presentation, relished leaving the crowd wanting more.
“This was just a little taste,” he told THR backstage. “We’ll see them again next year.”
If the movies are part of a big DC family, Batman v. Superman is the older, more mature sibling on which the weight of responsibility falls. Suicide Squad is the bratty little kid, chewing bubble gum and tagging walls.
Each cast has bonded in different ways. Loud and boisterous, the Suicide Squad cast was bonded by an attitude fueled by brashness and exuberance.
“We’re very much a squad,” said Robbie, with her co-star Delevingne joking, “We should start a dance squad.” Indeed, the cast was seen taking plenty of selfies together, laughing at inside jokes and throwing up their hands in faux-squad poses during the shoot.
The cast of Batman v. Superman looked on with bemusement, like they weren’t quite sure what to do with the family member that steals cars for a living. They were bonded too, it just showed in a more subdued way — like when Adams jokingly sat on Affleck’s lap when they were taking their seats for the shoot. But don’t let their quiet demeanor fool you: Adams photo-bombed Delevingne and Gadot with aplomb.
And while they may be only newly acquainted, there’s already a friendly rivalry brewing between the two casts, with the Suicide Squad group joking that they’d eat all the sandwiches before the Dawn of Justice cast got there. Affleck, meanwhile, joked that he wouldn’t be waiting on the slacking Suicide Squad to take his group photo.
Henry Cavill is featured on the new issue of Shortlist Mode and it has a brand new fashionable photoshoot, which I uploaded in the gallery, the article is below:
MODE cover star Henry Cavill talks to Andrew Dickens about the joy of polo necks, the fun of guns and the wardrobe issues of being Superman
For a man who’s used to getting changed in a phone box, swapping clothes in the offices of a private air charter company must seem positively luxurious. Mind you, Henry Cavill needs the space.
Only weeks after he wrapped up filming the latest Superman film, with shoulders you could drive across and biceps like prize hams, he’s still sporting a superhero physique that can make us mortals feel simultaneously fat and skinny.
He’s also just wrapped MODE’s jet-setting cover shoot. His look, as he swaggers around an airfield just outside Exeter (giving rise to “Is it bird? Is it a plane? Yes, it’s a plane” gags), has a dash of Sixties styling, which is a nod to the next Cavill film to hit cinemas: Guy Ritchie’s take on the classic TV show The Man From UNCLE. Cavill, it transpires, loves clothes, loves dressing up, but thanks to those muscles, his passion has problems.
“It’s bloody expensive,” he says, now dressed down in a checked shirt and jeans, and digesting a sausage butty. “I’m buying new clothes every year. I’m bigger than I was in the first Superman film (Man Of Steel), so I don’t fit the same clothes I did then. And when I was doing The Man From UNCLE, I was smaller, so it’s a constant shift in body size and shape. It’s fun, but you’ve got to have a big closet, so you can leave stuff in there and go, ‘Oh, back to that size again – I can wear that sweater’.
“But I never throw stuff away because I’ve changed size. Things I’ve loved, I’ve worn so much I’ve had to get rid. I’ll love something so much, I still see it the way it initially was, and then a friend will say, ‘Why do you dress like a homeless person? Look at your f*cking clothes, mate.’ And then you realise that the T-shirt you adore has four holes in it. And that pair of jeans no longer has a fashionable rip, it’s just your knee hanging out.”
Cavill’s character in The Man From UNCLE is Napoleon Solo. Or, ‘the one played by Robert Vaughn’ for those of us who spent childhood Saturday teatimes being entertained by TV repeats – always featuring men in roll necks – from this strange, colourful decade our parents banged on about. Solo, a postwar art thief-turned-Cold War agent, is the dapper playboy – who Cavill describes as “an arsehole with a heart” – working alongside Soviet spying machine Illya Kuryakin (Armie Hammer in the film, David McCallum when it was on TV). It’s Solo’s look that inspired the shoot. Cavill likes this.
“I really do,” he says. “I was looking at some photos of myself in The Man From UNCLE, and I thought, ‘Those are really great.’ I love wearing classic suits. And the great thing about the Sixties is that they had a little bit of flair. You can go big flair, or just a little bit, and I like a little bit. I’m more of a classic guy; I’m not outspoken, so it’s nice to wear something that looks so sharp and has a bit of colour.”
And your feelings on polo necks?
“Polo necks are great! There’s this attitude towards polo necks, where if you wear one, then all of a sudden you’re a dickhead. And it’s not fair, because polo necks look really good. It’s just a matter of people opening their minds to it. We can wear all sorts of stuff these days, so why not a polo neck?”
Why not, indeed? And it wasn’t just the polo necks Cavill enjoyed about the film; he claims Ritchie is “the best person I’ve ever worked with. He makes great movies, but doesn’t sacrifice any fun or enjoyment in the making – if I could do every movie in the future with him, I would happily do it.” This, of course, won’t be the case. For example, Ritchie isn’t directing Stratton – the film for which Cavill’s currently preparing. Based on the John Stratton novels by ex-SBS commando Duncan Falconer, it’s something of a passion project for Cavill, whose brother Nik is in the Royal Marines, and he’s co-producing the film with another brother, Charlie.
“I’ve always been a huge supporter of the Royal Marines, and therefore the SBS is largely – not entirely – drawn from the Marines,” he says. “It’s my chance to be the Marine I never got to be, and draw some attention to them, hopefully raise some money. I’m an ambassador for the Royal Marines trust fund. And I like the guns and stuff. I do. It’s fun.”
Nor did Ritchie get his hands on the biggest film of Cavill’s career to date, the currently titled Batman vs Superman: Dawn Of Justice. Next summer’s clashing of the capes – and cause of Cavill’s enormous wardrobe requirements – sees his Man Of Steel take on Ben Affleck’s Dark Knight. A major salvo from DC in the war with Marvel for comicfilmiverse supremacy, it’s a subject of anticipation and hope. What can he tell us about it?
“I can’t tell you anything.”
Not even from a fashion perspective? Surely there was some costume envy. With all that black, Batman has a much more chic look. And external underpants have never caught on.
“I’m incredibly loyal to my character,” says Cavill, with genuine conviction. “I love him. I’m protective of him. Superman’s the dude. He’s an absolute ledge. I’d never say, ‘I’d prefer to be that superhero.’ I’m Superman.”
The Man From UNCLE is at cinemas nationwide from 14 August
I’ve uploaded some beautiful portraits from May via Hero Complex and LA Times:
The pictures had to be removed. Sorry everyone.